Genre specificity of the monodrama by the Mordovian writer A. P. Teryoshkin «The Whistleblower»
English
journal number:
Journal’s Subject Headings:
Philology
About author:
National Research Ogarev Mordovia State University, Saransk, Russian Federation, [email protected]
ABSTRACT
Introduction: the Mordovian drama genre paradigm develops constantly and is presently enriched with creative innovations that demonstrate the search for the new forms of interpreting reality and the ways to present individual and personal spirits of people. Innovative phenomena in drama update the ethnic art literature and make significant adjustments to its aesthetic evolution. The relevance of the article is determined by the need to understand the artistic processes taking place in Mordovian drama. The object of the study is the artistic particularities of A. Teryoshkin’s genre experiment in the monodrama «The Whistleblower».
Objective: to analyze the genre specifics of the monodrama «The Whistleblower» by A. Teryoshkin.
Research materials: the monodrama «The Whistleblower» by A. Teryoshkin.
Results and novelty of the research: the scientific novelty of the article is due to the small study of the creative work of A. Teryoshkin as the dramatist. The author comes to the conclusion that the analysis of individual human destiny in the monodrama by A. Teryoshkin is carried out by means of self-reflection of the hero in the form of a monologue story revealing the inner motifs of actions. In general, all this reflects the complexity and multidimensionality of the surrounding reality. The fact that the playwright uses extraordinary artistic means within the genre form, innovative for the national literature, confirms his intention to develop the aesthetic framework of Mordovian drama.
Key words: Mordovian dramaturgy, monodrama, genre, character, monologue, lyrical beginning, narrative.
For citation: Antonov Yu. G. Genre specificity of the monodrama by the Mordovian writer A. P. Teryoshkin «The Whistleblower» // Vestnik ugrovedenia = Bulletin of Ugric Studies. 2020; 10 (4): 607–614.
ABSTRACT
Introduction: the Mordovian drama genre paradigm develops constantly and is presently enriched with creative innovations that demonstrate the search for the new forms of interpreting reality and the ways to present individual and personal spirits of people. Innovative phenomena in drama update the ethnic art literature and make significant adjustments to its aesthetic evolution. The relevance of the article is determined by the need to understand the artistic processes taking place in Mordovian drama. The object of the study is the artistic particularities of A. Teryoshkin’s genre experiment in the monodrama «The Whistleblower».
Objective: to analyze the genre specifics of the monodrama «The Whistleblower» by A. Teryoshkin.
Research materials: the monodrama «The Whistleblower» by A. Teryoshkin.
Results and novelty of the research: the scientific novelty of the article is due to the small study of the creative work of A. Teryoshkin as the dramatist. The author comes to the conclusion that the analysis of individual human destiny in the monodrama by A. Teryoshkin is carried out by means of self-reflection of the hero in the form of a monologue story revealing the inner motifs of actions. In general, all this reflects the complexity and multidimensionality of the surrounding reality. The fact that the playwright uses extraordinary artistic means within the genre form, innovative for the national literature, confirms his intention to develop the aesthetic framework of Mordovian drama.
Key words: Mordovian dramaturgy, monodrama, genre, character, monologue, lyrical beginning, narrative.
For citation: Antonov Yu. G. Genre specificity of the monodrama by the Mordovian writer A. P. Teryoshkin «The Whistleblower» // Vestnik ugrovedenia = Bulletin of Ugric Studies. 2020; 10 (4): 607–614.
