Candidate of Philolological Sciences,Institute of Language, Literature and History of the Komi Research Centre of the Ural Branch of the Russian Academy of Sciences, Syktyvkar, Russia [email protected]
Abstract:The period of the late of 1980s – early 90s is noted as a transitional stage in the development of Komi literature and poetry in particular: the authors question the value orientations of the writers of the previous generation, “offering” new forms of poetic interpretation of reality. The mythopoetic orientation of creative work of many modern poets is renewing for the Komi poetry. The loss of integrity, the state of disorientation in the so-called “not framed” post-Soviet life leads the authors to look for support in the distant past of the native people, to overcome the boundaries of the rationally knowable in the process of identity, to conceive a difficult period of a turn through the activation of properties of archaic, traditional thinking. Modern Komi poetry conditionally because of the quantitative superiority of poets of the female gender can be called “female”; and for the first time this poetry is studied in the context of identify of elements of mythological consciousness in the structure of poetic texts. Mythical and poetic basis of individual lyrical experiences, poetic images, means of artistic expression, the principles of the organization of the art world reveal on the material of lyrics of Nina Obrezkova, Nadezhda Pavlova, Elena Afanasyeva.
Key words: modern Komi poetry, female lyrics, post-soviet life, mythopoeic consciousness, mythopoetic allusion, metaphorization, national archetype.